Seen and Unseen

Seen and Unseen is an essential nonfiction work that delves into the Japanese American incarceration during World War II, a critical but often underrepresented part of American history. It uniquely presents this period through the eyes of three photographers: Dorothea Lange, hired by the government but critical of the policy; Toyo Miyatake, an incarcerated Japanese American who secretly documented life inside Manzanar; and Ansel Adams, who aimed to show resilience. The book masterfully weaves their diverse photographic perspectives with personal accounts and original art, offering a nuanced look at the history, heartbreak, and resilience. With substantial backmatter, it's perfect for engaging children aged 8-11 in discussions about primary sources, censorship, and justice.

Winner of the Robert F. Sibert Informational Book Medal Winner of the BolognaRagazzi Award for Photography Named a Best Book of the Year by Booklist, Kirkus Reviews, School Library Journal, New York Public Library, Chicago Public Library, and others. ★ "This arresting work brings history to vivid life." —Kirkus Reviews, starred review ★ "[An] exquisitely crafted, fiercely provocative work of nonfiction." —BCCB, starred review "Ingeniously designed." —The New York Times This important work of nonfiction features powerful images of the Japanese American incarceration captured by three photographers—Dorothea Lange, Toyo Miyatake, and Ansel Adams—along with firsthand accounts of this grave moment in history. Three months after Japan attacked Pearl Harbor in 1941, US President Franklin D. Roosevelt ordered the incarceration of all Japanese and Japanese Americans living on the West Coast of the United States. Families, teachers, farm workers—all were ordered to leave behind their homes, their businesses, and everything they owned. Japanese and Japanese Americans were forced to live under hostile conditions in incarceration camps, their futures uncertain. Three photographers set out to document life at Manzanar, an incarceration camp in the California desert: Dorothea Lange was a photographer from San Francisco best known for her haunting Depression-era images. Dorothea was hired by the US government to record the conditions of the camps. Deeply critical of the policy, she wanted her photos to shed light on the harsh reality of incarceration. Toyo Miyatake was a Japanese-born, Los Angeles–based photographer who lent his artistic eye to portraying dancers, athletes, and events in the Japanese community. Imprisoned at Manzanar, he devised a way to smuggle in photographic equipment, determined to show what was really going on inside the barbed-wire confines of the camp. Ansel Adams was an acclaimed landscape photographer and environmentalist. Hired by the director of Manzanar, Ansel hoped his carefully curated pictures would demonstrate to the rest of the United States the resilience of those in the camps. In Seen and Unseen, Elizabeth Partridge and Lauren Tamaki weave together these photographers' images, firsthand accounts, and stunning original art to examine the history, heartbreak, and injustice of the Japanese American incarceration. AWARENESS OF AMERICAN HISTORY: This impactful book engages with an underrepresented topic in American history, and highlights important and timely themes like primary sources, censorship, and visual literacy. SUBSTANTIAL BACKMATTER: Featuring eighteen pages of backmatter, including an Author's and Illustrator's Note, footnotes, photo credits, biographies of each photographer, and more.