The Riddle

Name: The Riddle
ISBN: 9780763694449

by Alison Croggon

Maerad, a gifted young Bard, flees corruption and journeys across a vibrant fantasy world, honing her magic and confronting the growing darkness of the Nameless One. This epic second book in the Pelli

About This Book

"The Riddle" is the second installment in Alison Croggon's epic Pellinor fantasy series, suitable for young adult readers aged 12-18. It continues the journey of Maerad, a powerful young Bard, and her mentor Cadvan, as they flee the corrupt First Bard of Norloch and search for the mysterious "Treesong" that holds the key to defeating the immortal Nameless One. The narrative explores themes of identity, courage, and the struggle between good and evil, with Maerad grappling with her immense powers and the potential for darkness within herself. The book introduces new magical schools, diverse cultures, and dangerous adversaries, including the enigmatic Winterking. Parents should be aware of moderate violence, peril, and character deaths, as well as background themes of slavery and child soldiery, which contribute to the high stakes and emotional depth of the story.

"First published by Penguin Books, Australia"--Copyright page.

Concepts

Good vs. Evil Self-Confidence & Identity Resilience & Perseverance Fear & Bravery Friendship & Loyalty Love & Family Justice & Fairness Curiosity & Wonder Empathy & Kindness Loneliness & Belonging Creativity & Imagination Anger & Frustration Being Different Making Friends Growing Up Fantasy & Magic Family & Siblings Animals Survival & Wilderness

Heads up, parents

peril_danger

Scary Scenes

Violence

Character Death

abuse_themes

mental_health_themes

discrimination

Romantic Content

Discussion Prompts

How does Maerad's past as a slave influence her decisions and fears in this book?

The Bards live by a code called the Balance and the Way of the Heart. How do these principles guide their actions, and when do characters struggle to uphold them?

Maerad fears the "darkness" within her own heart. What does this mean, and how does she confront it?

The Elidhu are described as neither good nor evil, with some exceptions. How do characters like Arkan and Ardina challenge or confirm this perception?

What role does prejudice play in the story, both towards characters like Saliman and in the actions of figures like Enkir?

External Reviews

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