
Reach for this book when your child starts to find the real world a bit too predictable or when you want to spark a collaborative creative spark in a group. These stories turn the mundane setting of a neighborhood street into a theater for the absurd, where giants can be found in cellars and magic is just a conversation away. It is an invitation to look at one's own surroundings with a lens of playful skepticism and wonder. Written as a collaboration between a storyteller and the neighborhood children, the collection is a masterclass in absurdist humor and fairy-tale subversion. It promotes lateral thinking and creative problem-solving while remaining thoroughly entertaining. Parents will appreciate the clever wordplay and the way it validates a child's sense of logic. It is perfect for ages 7 to 12 as a read-aloud or for independent readers who enjoy being surprised by where a plot might lead.
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Sign in to write a reviewSome imagery involving witches and dark closets might be spooky for very sensitive children.
The book handles traditional fairy-tale peril with a secular, absurdist touch. While there are mentions of witches wanting to eat children or giants being a threat, the tone is so humorous and the logic so bizarre that it rarely feels truly frightening. The approach is metaphorical and lighthearted, focusing on wit over dread.
An 8-year-old with a quirky sense of humor who loves Roald Dahl or Sideways Stories from Wayside School. It is perfect for the child who constantly asks "what if?" and enjoys pointing out the silly contradictions in adult logic.
Read the story of 'The Witch in the Broom Closet' beforehand to ensure the level of 'scary' fits your child's temperament. The book can generally be read cold as the charm lies in the spontaneous feel of the narration. A parent might see their child becoming bored with traditional "happily ever after" stories or notice the child trying to tell their own elaborate, nonsensical tall tales.
Younger children (7-8) will delight in the slapstick elements and the silly imagery of talking objects. Older children (10-12) will appreciate the sophisticated subversion of fairy-tale tropes and the collaborative nature of the storytelling frame.
Unlike many collections, this book explicitly includes the audience (the children) in the creation process, making the act of storytelling itself a central character. It bridges the gap between classic European folklore and modern urban surrealism.
The collection begins with Monsieur Pierre, a storyteller who has run out of ideas. He enlists the neighborhood children of Rue Broca to help him invent new tales. The stories that follow are surrealist twists on folklore: a pair of shoes in love, a lustful potato, a giant who eats children but is defeated by cleverness, and a witch who wants to eat a girl with tomato sauce. Each story uses the geography of a real Parisian neighborhood as the backdrop for impossible events.
This overview was generated by AI based on the book's content and reviews, and may not capture every nuance.