
A parent might reach for this book when their mature teen is ready to understand the deep, often hidden, human cost of war beyond battles and dates. This book is a difficult but necessary historical account of the 'comfort women', girls and women forced into sexual slavery by the Imperial Japanese Army during World War II. It unflinchingly explores themes of systemic violence, injustice, trauma, and the incredible resilience of survivors fighting for recognition. Intended for older teens (14+), this book is a powerful tool for discussing the realities of war, gendered violence, and the importance of historical memory.
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Sign in to write a reviewFocuses on the racial and nationalistic underpinnings of wartime atrocities.
Describes the deaths of many victims due to abuse, suicide, and harsh conditions.
Explores government denial, insincere apologies, and historical revisionism.
The book's approach to its subject matter, systemic sexual slavery, is direct, historical, and deeply disturbing. It is a secular account based on victim testimonies and historical records. It directly addresses sexual violence, physical abuse, trauma, and death. The resolution is realistic and ambiguous. While some official apologies have been offered, the book makes clear that the fight for full, sincere justice is ongoing, and many government officials continue to engage in historical denialism, meaning there is no neat or hopeful conclusion.
A mature high school student, aged 15-18, with a strong interest in history, human rights, or social justice. This reader is not looking for an easy read but is prepared to confront the darkest aspects of human history to gain a more complete understanding of the world. They are likely already engaged with topics like feminism and the long-term consequences of war.
This book cannot be read cold. A parent must preview it and be prepared to have extremely difficult conversations about sexual violence, war crimes, trauma, racism, and historical gaslighting. The entire book is the sensitive content. It requires significant emotional preparation and contextual discussion with a trusted adult. A parent's teen is studying WWII and asks questions that show a gap in their curriculum, such as, "What happened to the women during the war? It feels like they are left out of the history books." It could also be a teen passionate about the #MeToo movement who is ready to understand the historical context of systemic, state-sanctioned sexual violence.
A younger teen (14-15) will likely be most struck by the visceral horror and deep sadness of the individual accounts of suffering. An older teen (16-18) will be better equipped to analyze the complex political and social dimensions: the decades of government denial, the nuances of international relations, the power of testimony as a political act, and the concept of intergenerational trauma.
The book's most powerful and unique feature is its devastatingly ironic title. By framing this history of brutalization with a phrase associated with childhood innocence and ambition, it immediately and powerfully communicates the core tragedy: the complete annihilation of the victims' potential, personhood, and futures. This narrative device elevates it beyond a standard historical text into a profound commentary on the human cost of war.
This non-fiction book details the history of the ianfu, or 'comfort women', a system of forced sexual slavery orchestrated by the Imperial Japanese Armed Forces before and during World War II. The book documents how hundreds of thousands of girls and women, primarily from Korea but also from China, the Philippines, and other occupied territories, were coerced and brutalized. It covers the horrific conditions they endured, the post-war denial by the Japanese government, and the modern, ongoing fight by survivors and activists for a sincere apology and proper restitution. The ironic title, 'When I Grow Up, I Might Be...', serves as a constant, tragic reminder of the stolen futures of these victims.
This overview was generated by AI based on the book's content and reviews, and may not capture every nuance.